{"id":68,"date":"2016-12-01T13:12:09","date_gmt":"2016-12-01T13:12:09","guid":{"rendered":"http:\/\/barlettiwaas.eu\/?page_id=68"},"modified":"2017-01-18T20:08:58","modified_gmt":"2017-01-18T20:08:58","slug":"regie","status":"publish","type":"page","link":"https:\/\/barlettiwaas.eu\/?page_id=68","title":{"rendered":"Regie"},"content":{"rendered":"
\n

Regie\/Inszenierungen<\/h2>\n<\/header>\n
\n
<\/div>\n

<\/h2>\n

\u201cHamletmaschine\u201d, Heiner M\u00fcller, (1984, Erlangen)<\/a><\/h5>\n
\u201cKom\u00f6die ohne Titel\u201d, F.G.Lorca, (1986, Erlangen)<\/h5>\n
\u201cSardanapal\u201d, Lord Byron, (1988, Berlin)<\/h5>\n
\u201cQuelli che restano\u201d, Paolo Musio, (1992, Roma)<\/a><\/h5>\n
\u201cUomo=Uomo\u201d, Bertolt Brecht, (1994, Roma)<\/a><\/h5>\n
\u201cL\u00b4Affaire Ubu\u201d, Alfred Jarry, (1995, Roma)<\/a><\/h5>\n
\u201cLa Rana\u201d, Herbert Achternbusch, (1995, Roma)<\/a><\/h5>\n
\u201cLa morte di Danton\u201d, Georg B\u00fcchner, (1996, Roma)<\/h5>\n
\u201cPassati Cinque Anni\u201d, F.G.Lorca, (1996, Roma)<\/a><\/h5>\n
\u201cNord\u201d, da testi di Heiner M\u00fcller, (1996, Roma)<\/a><\/h5>\n
\u201cL\u00b4Ultimo Ospite\u201d, Herbert Achternbusch, (1997, Brescia)<\/a><\/h5>\n
\u201cParia\u201d, August Strindberg, (1997, Torino\/Roma)<\/a><\/h5>\n
\u201cLove\u00b4s Labour\u00b4s Lost\u201d, W. Shakespeare, (1998, Roma)<\/h5>\n
\u201cTruculentus\u201d, M.T.Plautus, (1998, Roma)<\/h5>\n
\u201cSovrappeso, insignificante:Informe\u201d, W.Schwab, (1999,Roma)<\/a>Video<\/h5>\n
\u201cNihil\u201d\/\u201dOCE\u201d, G.Cervo\/R.Schimmelpfennig, (1999,Viterbo)<\/h5>\n
\u201cIl dio Kurt\u201d, Alberto Moravia, (2000, Roma)<\/a>Video<\/h5>\n
\u201cL\u00b4Addio\u201d, Elfriede Jelinek, (2001, Roma)<\/a><\/h5>\n
\u201cIl Firmamento\u201d, Antonio Moresco, (2001, Roma)<\/a><\/h5>\n
\u201cAmore Mio Infinito\u201d, Aldo Nove, (2002, Milano)<\/a><\/h5>\n
\u201cDialogo\u201d, Natalia Ginzburg, (2003, Roma)<\/a><\/h5>\n
\u201cMateriali per una tragedia tedesca\u201d, Antonio Tarantino, (2004, Napoli)<\/a><\/h5>\n
\u201cDulce Est\u201d, Herbert Achternbusch, (2005, Lecce)<\/a><\/h5>\n
\u201cIl mistero nel mezzo di una vita ordinaria\u201d, Don De Lillo, (2005, Lecce)<\/a><\/h5>\n
\u201cDrammi di principesse I-III\u201d, Elfriede Jelinek, (2005, Roma)<\/a>\u00a0Audio<\/h5>\n
\u201cJackie\u201d, Elfriede Jelinek, (2005, Cividale)<\/a><\/h5>\n
\u201cBocca di cowboy\u201d, Sam Shepard, (2006, Roma)<\/a><\/h5>\n
\u201cRenata\u201d, Paolo Musio, (2007, Roma)<\/a>\u00a0Video<\/h5>\n
\u201cTra un\u00b4ora e dodici minuti\u201d, Lars Nor\u00e9n, (2008, Lecce)<\/a><\/h5>\n
\u201cW L\u00b4Anarchia\u201d, Rainer Werner Fassbinder, (2009, Lecce)<\/a>\u00a0Video<\/h5>\n
\u201cTrattato di pace\u201d, Antonio Tarantino, (2010, Bari)<\/h5>\n
\u201cIl quartiere delle fate\u201d, Magda Barile, (2011, Lecce)<\/a><\/h5>\n
\u201cKaspar\u201d, Peter Handke, (2014, Roma)<\/a>\u00a0Video<\/h5>\n
\u201cMaterialien f\u00fcr eine deutsche Trag\u00f6die\u201d, Antonio Tarantino, (2015, Berlin)<\/a>\u00a0Videomitschnitte<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Regie\/Inszenierungen \u201cHamletmaschine\u201d, Heiner M\u00fcller, (1984, Erlangen) \u201cKom\u00f6die ohne Titel\u201d, F.G.Lorca, (1986, Erlangen) \u201cSardanapal\u201d, Lord Byron, (1988, Berlin) \u201cQuelli che restano\u201d, Paolo Musio, (1992, Roma) \u201cUomo=Uomo\u201d, Bertolt Brecht, (1994, Roma) \u201cL\u00b4Affaire Ubu\u201d, Alfred Jarry, (1995, Roma) \u201cLa Rana\u201d, Herbert Achternbusch, (1995, Roma) \u201cLa morte di Danton\u201d, Georg B\u00fcchner, (1996, Roma) \u201cPassati Cinque Anni\u201d, F.G.Lorca, (1996, Roma) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":55,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-68","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/pages\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=68"}],"version-history":[{"count":12,"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/pages\/68\/revisions"}],"predecessor-version":[{"id":470,"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/pages\/68\/revisions\/470"}],"up":[{"embeddable":true,"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=\/wp\/v2\/pages\/55"}],"wp:attachment":[{"href":"https:\/\/barlettiwaas.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}